REVISED
Golding's novel The Lord of the Flies contains disturbing
illusions about the innate nature of humans, among them the idea that
culture is just a gloss over of savagery. Throughout the novel, the
stranded boys use a conch shell to communicate. The conch shell is a
symbol representing a tool of civilization, and its fall from respect
is in of itself a symbol of the boys' return to savagery.
Upon
first being stranded, the boys call each other together by blowing
the conch. Here, the conch functions as a means of communication, as
the boys cannot assemble if they do not know where the others are. It
is a seemingly-wild symbol turned into a cultural one of order and of
cooperation. Further cooperation takes place when the boys recognize
the right to speak by whoever holds the conch. It is also a tool of
political power, used to hold together a loose system of rule and
order. Golding continuously implies through those physical functions
that the conch's purpose is that of keeping a structured order, akin
to government.
The
conch's orderly cultural purposes become less and less effective as
the boys lose their civilized behaviors. This erodes the previous
cooperation, communication, and political power among them. When the
boys become savage, the conch is no longer effective. This is
furthered symbolized when it is smashed by the boulder, which was
itself a product of savage acts. Golding conveys themes of The
Lord of the Flies through such symbolisms and functions. The
sybolism of the conch shell work to contribute to the boy's fall from
grace.
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